home *** CD-ROM | disk | FTP | other *** search
- Path: aadt.sdt.com!usenet
- From: Larry Baker <leb@sdt.com>
- Newsgroups: comp.lang.smalltalk,comp.object,comp.lang.c++,comp.lang.java
- Subject: Re: The Good, the Bad, the Ugly, and the Wicked ...
- Date: Thu, 28 Mar 1996 09:05:45 -0800
- Organization: SABRE Decision Technologies
- Message-ID: <315AC6E9.7C3A@sdt.com>
- References: <31570B8E.5A12@vmark.com> <31591D78.76EB@sdt.com> <4jcdk4$t7m@gaia.ns.utk.edu>
- NNTP-Posting-Host: parmail.sdt.com
- Mime-Version: 1.0
- Content-Type: text/plain; charset=us-ascii
- Content-Transfer-Encoding: 7bit
- X-Mailer: Mozilla 2.0 (Win16; I)
-
- Matt Kennel wrote:
- > I think choosing computer languages is not in the slightest
- > like choosing a best "human" language as that implies making
- > impossible 'objective' judgements of culture and people.
- >
- > Choosing computer languages is like choosing vaccum pumps.
-
- Perhaps. How do you choose a vaccum pump? Which one is the "best?"
- I'd bet it depends on what's important to you: reliability,
- availability, vendor support, acceptance in the industry (who can
- work on it, who can work with it). I think the parallel is a
- good one.
-
- Though there are technical merits for computer languages that can be
- identified, similar merits can be identified for human languages.
- I don't see there being all that much of a difference, really,
- especially as computer langauges grow to approach the complexity
- of human language.
-
- > I'm distirbed by the notion that the "human" reasons are considered
- > aesthetic and unquantifiable. They are not quantified or rationalized now
- > because there is little scientific progress in this area, but there
- > should be.
-
- Human reasons - like asthetic appeal - are inherently subjective. It is
- very difficult to universally quantify subjective values. How good is
- good? How much better was Vincent Van Gough than Picasso?
-
- I am reminded of the scene in 'Dead Poets Society,' where the new teacher
- replacing Robin Williams explains a meter for measuring the quality of Poetry.
- The meter was basically a ranking system for gaguing the 'merit' of a poem.
- The concept seems to me as patently absurd as does the 'universal metric'
- everyone seems to want to develop for computer languages.
-
- Cheers,
-
- Larry Baker
- leb@sdt.com
-